Features Of Classical Criminology - 779 Words

â€Å"Criminology† is a difficult term to define because it is open to interpretation, some may argue that â€Å"criminology† is the scientific study of criminals and the crimes that they commit. It incorporates numerous disciplines such as law, sociology, history and physiology as well as other disciplines like victimology which are more focused disciplines within criminology. Sutherland (1939) gives the view that criminology is based around â€Å"three great tributaries† these are: The study of crime, the study of these that commit crime and the study of criminal justice and penal systems. Within this essay these main criminological elements will be discussed: Classical Criminology, Classical Criminology mainly occurred because of the violent and†¦show more content†¦All of which are useful in understanding crime and punishment. Beccaria’s main ideology behind classical criminology is the principle that â€Å"it’s better to prevent crime then to punish them†. In today’s modern society this can be achieved by crime prevention theories. Beccaria’s main criminological arguments are: Punishment that criminals receive shouldn’t be to excessive because this doesn’t always deter individuals from committing crime, and Beccaria argued that in some cases it actually is likely to increase crime, he also argues that the law shouldn’t restrict individuals, as well as that he argues that the infliction of harm should determine the grievousness of a crime. Beccaria had three fundamental approaches to crime prevention, he argued that these three fundamental principles were vital in order to reduce crime and decrea se the harshness of the judicial system. These principles are Certainty, celerity, and severity. Certainty is the idea that if punishment is likely to happen, then people will be less likely to commit crimes and deviant behaviour. Celerity is the idea that the law must be consistent and clear, this is vital within the judicial system because it provides a grounding and acts a deterrent because it is clear to criminals what will be the repercussions of their criminal actions. Severity within the judicial system means that the lawShow MoreRelatedClassical Criminology : Criminal Justice Policies And Against The Spiritual Explanation Of Crime Essay1087 Words   |  5 PagesClassical Criminology is focused on the punishment of crime rather than the causation of crime. The classicism theory of criminology is the concepts of legal system and its approach during the 1700’s (‘Enlightenment period’). It is argued that Classical criminology was a â€Å"protest against tho se criminal justice policies and against the spiritual explanation of crime†.1 Features of Classical criminology still have a large impact on legal systems, like the concept of proportionality. There are manyRead MoreThe Classical School Of Criminology996 Words   |  4 Pagesthe Classical School of Criminology was established. The Classical School of Criminology was founded by Cesare de Baccaria and Jeremy Bentham. The Classical School of Criminology has played a very important role in implementing changes to the criminal punishment system. One of the most significant features of the Classical School of Criminology is its stress on the person as a human being who is competent enough to calculate whether or not they will commit a crime (Lilly, 2011). The Classical SchoolRead MoreClassical, Biological And Psychological Theories901 Words   |  4 Pages Early classical, biological and psychological theories have helped shape the burgeoning world of criminology. Many of the ideas they held were unique, however, some key principles are still in use by there modern counterparts. Classical psychological theories, focused on two main concepts; personality and behaviorism. Personality theories helped improve cognitive sciences and behaviorism called attention to social learning with a focus on behavioral conditioning. For example, Ivan Pavlov, a prominentRead MoreEssay about Criminological Theories1544 Words   |  7 PagesThere are many different aspects of criminal justice policy. One in particular is the different theories of crime and how they affect the criminal justice system. The Classical School of criminology is a theory about evolving from a capital punishment type of view to more humane ways of punishing people. Positivist criminology is maintaining the control of human behavior and criminal behavior. They did this through three different categories of Biological studies, which are five methodologiesRead MoreClassical and Positive School of Criminology Essay1020 Words   |  5 PagesThe Classical School of Criminology and the Positive School o f Criminology are two of the main theories that try and explain the behavior of delinquents. The Classical School of Criminology was developed in the late 1700s by Cesare Beccaria. Classical theorists were trying to decrease punishment and obtain equal justice for all. According to Beccaria and Jeremy Bantham, and English philospther, human nature is characterized by three central features: 1) People are not bound by original sinRead MoreClassicalism vs. Positivism1546 Words   |  7 Pagescriminologists everyday. Criminology is an ever growing field, mainly because there is more and more research occurring and new theories linking people and crime coming out everyday. Below the main field of criminology there are many subfields that have different theories and philosophies on what they believe link criminal behavior. Two of the main criminology perspectives are Classical Criminology and Positivist Criminology. Although these two are both studied in the criminology field, their viewsRead MoreThe Classical School Of Criminology776 Words   |  4 PagesCh3 q1. The major principles in the classical school of criminology include as a being, one makes fundamentally sane decisions, and those decisions come from liberated will that is accompanied wi th coherent choosing. Another standard is painfulness and happiness, which are used as determining factors of human conduct. As a deterrent, violations of the law set the standard for the rest of society to abide by. Ones principles of acceptance and non-acceptance are inherent in our lives, in which it cannotRead MoreThe Classical School And The Positivist School881 Words   |  4 Pagesaddressing and discussing the two schools of criminology, which respectively are the classical school and the positivist school. I will begin by comparing and contrasting the historical background of both schools using the founders of each school. I will then continue the paper by comparing their assumptions, their findings and their key policy implications. I will do this by explaining each school’s purpose and goal. I will then argue and explain how the classical school is respectively stronger than theRead MoreCriminology Theories1039 Words   |  5 Pagesâ€Å"Criminology† is the study of crime from a social perspective by researching the nature and management of crime and the social impact of crime on society involving the causes and consequences behind the matter. This is a generalised explanation of what â€Å"Criminology† involves as it is too difficult to create an exact definition because the topic is so complex from continuous growing historical roots and evolving theories which will be explored within the main body of this essay. It is said by SutherlandRead MoreBiological Determinism And Crime Of Criminology1595 Words   |  7 PagesDeterminism and Criminality Throughout the history of criminology, each theory dominates and gains support than others though different period of time. This essay will first discuss the argument for biological determinism which mainly focuses on phrenology. The idea of Darwinism also links to Lombroso’s idea that a person’s bad behavior can be predicted and should be eliminated will also be discussed. The second part of the essay will emphasis the classical theory and how in contrasts with the positivism

Terrorist Theories Of Al Qaeda - 1426 Words

Do you remember where you were on Tuesday, September 11, 2001? Well if you do, then this should be a memory refresher, but if you don’t, heres something for you to learn. There were four airlines that were hijacked by the Islamic Extremist Group, Al-Qaeda. Al-Qaeda had planned to use a suicide attack against the United States. At 8:45 am, two of the four hijacked planes crashed into the Twin Towers at the World Trade Center, the third plane hit the Pentagon in Washington DC and the fourth plane crashed into a field in Pennsylvania. This day, was going to change America forever. Since the terrorist attacks, there has been many conspiracy theories that put fourth to what â€Å"actually happened†. As these conspiracies come, they range from planes not even hitting the Twin Towers but bombs that destroyed those buildings to the government knowing and going along with the plan of attack. Even though that the government says they made up the attack now, the 9/11 attack did happen how we thought it happened because of Islamic Extremist group thinking that America is weak, thousands of people died and we ended up going to war to find Osama Bin Laden. One might say that the government did not plan the 9/11 attack. Heres what the Islamic Extremest group is and what their purpose for their attack was. Islamic Extremist group consist of two aspects of extremist, interpretations and pursuits of the Islamic ideology. Though the group doesn’t entail violence, even thought it doesShow MoreRelatedThe Bombing Of Twin Towers1654 Words   |  7 Pagesbuildings in the world. Lot’s of people worked for it and visited there. They had almost controlled U.S. economy when they were existed. However, they got attacked on Setember, 2001. The attacks were a series of four coordinated terrorist attacks by the Islamic terrorist group Al-Qaeda on the United States on the morning of Tuesday, September 11, 2001. The attacks consisted of suicide attacks use d to target symbolic U.S. landmarks. Due to the attacks many bad effects were occured. First, hundreds of thousandsRead MoreConstructivism: Social Theory of International Politics by Alexander Wendt1057 Words   |  5 PagesConstructivism Alexander Wendt in his work entitled Social Theory of International Politics (1999) explain the basic propositions of constructivism, arguing that â€Å"structures of human association are determined primarily by shared ideas rather than material forces; thus, identities and interests of purposive actors are constructed by these shared ideas rather than given by nature† (Palan, 2000, p. 576). As such, these shared ideas construct identities and interests. 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The Afghanistan war was a just war according to the The Just War Theory because on September 11, 2001 the US was attacked by the terrorist group al-Qaeda, but the Vietnam War was not truly justified because there was no direct attack on the United States, the U.S. only went to help stop communism. There might have been a different way to resolve the conflictRead MoreGovernment Or Controlled Demolition? Essay1219 Words   |  5 PagesGovernment or Controlled Demolition The September 11 attacks were a series of four coordinated terrorist attacks by the Islamic terrorist group al-Qaeda in the United States on the morning of Tuesday, September 11, 2001. They attacked the Twin Towers in New York City. There are different conspiracy theories with the 9/11 attack but the most important conspiracy theory is that the collapse of the twin towers were the result of controlled demolition by the government rather than structural failureRead MoreWhy Do Some States Engage In War? This Has Been A Crucial1744 Words   |  7 Pagesinternational context. Throughout history, many influential thinkers have come up with theories to explain the nature of the international system and the behavior of states. Liberal theories such as the democratic peace theory argue that war can be justifiable if it represents the establishment of a democratic government, which would then represent a collective good for the international system. On the other hand, realist theories incl uding structural realism believe that a state should engage in war if itRead MoreThe First Wave Of Terrorism1740 Words   |  7 Pagesmost well known founding figures of terrorism studies, joined UCLA in 1962 as a political theorist and later he became a founder and editor of Terrorism and Political Violence (UCLA). The idea of religious terrorism coincides with Rapoport’s (2004) theory on the waves of modern terrorism, especially the fourth wave. 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At the time, Hashshashin forces were too small to go to war conventionally, so they assassinated city governors and military commanders in order to create alliances with powerful militaristic neighbors. For instance, they murdered Janah al-Dawla, ruler of Homs, to please Ridwan of Aleppo, and then assassinated Mawdud and Seljuk emir of Mosul, as a favor to Damascus. The Hashshashin also carried out assassinations as form of retribution. However, under some definitions of terrorism, suchRead MoreThe United States Military Operations1694 Words   |  7 Pageseven stronger and amazing points of view that support the justific ations of military presence by the U.S. in Afghanistan. The main reasons for the military operation by the U.S. in Afghanistan were to fight the â€Å"war on terror† and to weakening the terrorist organisation network worldwide as a measure to restrict training, travel and to prevent radicalisation of the fundamentalist worldwide. This essay will now discuss the justifications of the U.S. military operation in Afghanistan through the realist

Intimate And Sensate Spaces Film Studies Essay Free Essays

string(91) " They reach out and prosecute with our innermost desires of seeking comfort within a home\." Do memorable experiences permeate architectural boundaries to give us a sense of belonging, and to what extent does the content of memory exist in familiarities of darkness, aroma and topographic point? As our lives become entwined with the physical occurrences in this universe we seek a sense of comfort in the topographic points we most closely associate with. Familiarities of darkness, aroma and topographic point along with their intangible properties stimulate our memories of past experiences and reaffirm our presence in this universe. In clip these topographic points become hoarded wealths of memories and weave through our reinforced environments structuring our journey and doing it meaningful. We will write a custom essay sample on Intimate And Sensate Spaces Film Studies Essay or any similar topic only for you Order Now Introduction 1 ) Historic illustrations of how Gothic Cathedrals and Egyptian temples became symbols of clip and experience. 2 ) Analyzing the decreasing animal familiarities and duologues between infinites and our lives and the transparence tendency in modern edifices today. 3 ) Phenomenology as looking at architecture through our ain witting experiences and the undertaking of Architecture to construction and happen our being in this universe 4 ) The purpose of this essay to research the content of what makes topographic points memorable by understanding the relationship between familiarities of darkness, aroma and topographic point. Body A Intimate infinites and Geometry of Feeling in Phenomenology of Architecture Contemporary readings of brilliantly illuminated infinites and overexploitation of transparence in infinites decreasing our sense of intimate life. The human as a traveler, as a place inhabitant, as a melancholiac and how memories of topographic point infuse him with feelings of familiarity. B 1 ) Familiarity of Darkness Different personifications of darkness in literature, art The Significance of the Shadow How darkness constructions nostalgic images of the yesteryear. The nexus between darkness and memory Symbolic nature of Mental imagination of darkness The ability of darkness to rise the power of other senses. 2 ) Familiarity of Aroma Sense of odor and its ability to transport the individual to different kingdoms of clip Link between darkness and sense of odor Experiencing architecture through the sense of odor The connexion between memory and olfactory property 3 ) Familiarity of Topographic point The nexus between sense of odor and topographic point Sensate topographic points as powerful contents of memory Building and its intimate relation to its context Genius Loci and the phenomenon of topographic point Atmosphere and character of a topographic point 4 ) Design as an appropriate medium of look in being able to retrieve our past experiences and reaffirming our presence in this universe. 5 ) Using Design as a museum of clip, poignance and recollection in carry throughing our desires for intimate connexions and associations with this universe. 6 ) How we translate intimate spacial and centripetal experiences into the cloth of Architecture Tactile stuff looks Treatment of visible radiation and shadow Journey through infinites and altering spacial experiences Establishing a strong contextual relation between the edifice and its environment 7 ) Reviewing the practical possibilities through built illustrations and instance surveies of Architects like Peter Zumthor and Alvar Alto. Decision Introduction As our lives become entwined with the physical occurrences in this universe we seek a sense of belonging in the topographic points we most closely associate with. ‘What is losing from our homes today are the possible minutess between organic structure, imaginativeness and environment ‘ Kent C Bloomer and Charles W Moore. ( as quoted in Pallasmaa 2005: P 41 ) How cognizant are we of the function of Architecture as a topographic point of memory in our lives? Architecture over coevalss has portrayed legion aspects of our physical being in this universe, be it emotion, faith, civilization or recollection. Our perceptual experiences of infinites are influenced by our figments of imaginativeness and recollections of past experiences, be it chapters of a novel, scenes of a movie, glances of a metropolis or narratives of loved 1s, all soaked with times of familiarity and nostalgia. Historic illustrations of such environments have borne testament to this thought in the signifier o f Egyptian temples where we witness the silence of the dead and Gothic cathedrals where the eyes are drawn upwards along the arches to the mighty image of God as among the legion wonders of architectural experiences. However, modern infinites of today seem so subtle in their ability to travel us and raise within us wonders of clip and memory. Or is it this turning accent on transparence and openness in modern architecture that has led to decreasing sensitivenesss towards the perceptual experience of infinites as being an confidant and sensate representation of our lives. For the grade to which we observe elements of shadow and the feelings they construe in us, hints of odor and their ability to transport us to different kingdoms of clip and the ambiance of a topographic point, is deserving oppugning. The theory of Phenomenology explains the ethos of architecture as being tasked with non mere physical building of signifiers and maps but besides the manifestation of human experiences and emotions in the edifices we reside in. In kernel our intent as interior decorators is to carry through our interior desires of topographic points that comfort us and make an intimate bond between worlds and their reinforced environments. Contentment in design exists in the individual sing the architecture in all its kingdoms and our environments would be uncomplete representations of our lives if they are barren of memories and experiences. This essay aims to analyze the complex kingdom of familiarity in darkness, aroma and topographic point that have pervaded the really cloth of architecture in the yesteryear and go component and indispensible elements of memorable infinites, therefore taking me to oppugn whether memorable experiences permeate spacial boundaries to give us a sense of belonging, and if so so how do we animate such experiences in the context of modern spacial design. Intimate and Sensate Spaces Intimate infinites are a sense of realisation of the affectional, sensate and memorial features of a topographic point. They reach out and prosecute with our innermost desires of seeking comfort within a home. You read "Intimate And Sensate Spaces Film Studies Essay" in category "Essay examples" Architecture ‘s undertaking lies non merely in the physical manifestation of the edifice but besides in the intimate journey of the individual sing the architecture in all its signifiers. Intimate experiences habituate our being in this universe and embody deeper significances and apprehension of mundane life. As competently suggested by Pallasmaa, ‘It is clip that we considered whether signifiers or geometry in general can give rise to architectural feeling ‘ ( P410 ) As mentioned earlier the great wonders of architectural experiences such as Gothic cathedrals and Egyptian temples ne’er failed to travel us and shock us at their magnificence. We realize that they so played close attending to the significance of shadow and visible radiation which were important design elements in the experience they aimed to incarnate. So how so do we inculcate familiarities, enigmas, inquiries, nostalgia and melancholia in our modern twenty-four hours opposite numbers when they seem so vivacious, crystalline and unfastened in their visual aspect? As appropriately suggested by Luis Barragan ‘We have lost our sense of intimate life, and have become forced to populate public lives, basically off from place ‘ ( quoted in Pallasmaa 2005, P47 ) Ultimately the homes we reside in are meant to convey us closer to our reinforced environments, construction our being and non detach us and do us distant animals in the chase of void. Multisensory infinites Familiarity of Darkness Darkness more frequently seen as the absence of visible radiation has been associated with many different intensions that have played an influential function in the manner we perceive a dark infinite ; in short darkness has its ain narrative. Panic and offense scenes in literature, memories of the past captured in vintage frames, nostalgic lonely scenes described in poesy and more frequently than non an creative person ‘s picture expresses a deep apprehension of the contrast between dark and light. Further lucubrating on the personification of darkness in literature, a notable illustration would be the significance of darkness portrayed by Shakespeare in his tragic drama Macbeth which in many important scenes depicted the dark sky as a cloak of privacy that the supporter ‘s call upon when perfidy and slaying befall them. Another illustration would be from Junichiro Tanizaki ‘s in congratulations of shadows wherein he describes the symbolic representation of a lacque r dish as being tantamount to savoring the darkness of the room. ( Pallasmaa, 2005 ) These illustrations are of import landmarks of mentions when we begin to chew over over the avenues that darkness as an component has opened up in our twenty-four hours to twenty-four hours lives and moreover introduced into it a personal spacial dimension. Example from the architectural uncanny. Our perceptual experience of darkness is affected by the mode in which the oculus observes analyses and visualizes the material objects around us. The oculus has the ability to divide what we want to see from what we prefer non to see, which is strongly manipulated by the strength of visible radiation in a infinite. The sense of vision determines our connexions with infinites, signifiers and stuffs likewise, and ignites our ideas, imaginativeness and emotions. Darkness so is no longer merely an ambiance of concept in the physical dimension of infinite but it starts to pervade and unify with the darkness of the head even. Therein develops a new continuum of perceived dark infinite, more merely understood as symbolic imagination of darkness, which exists in the boundaries of our phantasies, dreams and imaginativeness. The intimacy of these connexions is straight affected by the contrast of visible radiation and shadow in a infinite, as noted by Pallasmaa ( 2005, p46 ) ‘During ove rmastering emotional experiences, we tend to shut off the distancing sense of vision ; we close the eyes when dreaming, listening to music, or fondling our darling 1s ‘ He farther goes on to explicate the significance of shadows and darkness in chanting down the acuteness of vision and in bring oning our inner ideas and feelings that otherwise seem elusive and hibernating. ( Pallasmaa 2005 ) Obviously plenty, darkness structures our immediate sensate and intimate experiences of minutes gone by or enfold our head with new found associations of clip and infinite. We chose to either remain confined to the darkness of physical infinite or in bend explore the boundaries of fanciful dark infinites. Memories are the consequence of these geographic expeditions within our heads that take topographic point in the presence of elusive visible radiation and deep shadow infinites. Memories are like scenes in a drama or chapters of a book that journey from one facet to another making a assortment of experiences for the individual walking through the infinite. As claimed by Pallasmaa that streets of old towns and metropoliss with their dim lit scenes appear more challenging than modern overly lit streets and towns oftoday. ( Pallasmaa, 2005 ) It about seems as if darkness and shadow play an instrumental function in raising up images of past experiences and exciting our ideas. Reaffirmed herein by Pallasmaa once more when he explains ‘The human oculus is most absolutely tuned for dusk instead than bright daytime. Mist and twilight rouse the imaginativeness by doing ocular images ill-defined and equivocal ‘ ( 2005, P46 ) More frequently than non we enjoy and gaze with admiratio n at the simple admirations of the dark sky, be it a star lit sky, a cloudy sky, a full Moon dark. Memories resonate in these infinites, infinites that give us the chance to be a portion of the admirations of nature, or experience times that we long for. When we begin to understand these elaboratenesss in the look of visible radiation and shadow, or duologues between atmosphere and our organic structure we begin to oppugn the elaboratenesss and duologues between our yesteryear and nowadays and look frontward to determining of new memories in the hereafter. The functions of visible radiation and darkness are interestingly linked yet absolutely balanced and it is for those grounds that we begin to develop new found associations with infinite that in many ways seem intimate and fond to our being. Memorable topographic point experiences are profoundly infused with infinites we most closely associate with. Darkness and shadow in their ain manner create a sense of purdah and enigma that all right tune the character and ambiance of a topographic point to comfort our senses and comfort us in times of demand. Many a clip ideas in our head have a inclination to look in an equivocal and unorganised manner, likewise shadow excessively creates an atmosphere of obscureness and wonder that spurs our imaginativeness and memories. On the contrary, topographic points of bright visible radiation and utmost strength weaken our esthesis of topographic point and personal experience. ( Pallasmaa 2005 ) As farther critically explained by Pallasmaa that the be st manner of subjecting people to insanity is with the usage of utmost degrees of visible radiation strength which erases any hint of personal infinite and idea. ( Pallasmaa 2005 ) Darkness in its confidant and sensate characteristic goes a measure farther to convey to illume the other senses in our organic structure. Darkness subdues the ocular esthesis of the oculus, automatically exciting the power of other senses such as touch and odor. It is in the presence of deep shadow that we depend on the heightened power of our other senses to see and closely prosecute with a infinite. Familiarity of Aroma Aroma, besides termed as an olfactive sense though preponderantly a ignored facet in architecture, is in fact one of the strongest centripetal characteristics in our organic structures and the deepness of experience and experiencing it covers is although unseeable but enkindled clip and once more through built-in tactile and ocular qualities of a infinite. It is an indispensible constitutional component of spacial design, raising up ocular imagination and personal penetrations of memories and infinites, transporting us to different kingdoms of clip. More simplistically set frontward, scent engages dialogue with nature through air current, H2O, location, flora as portion of the external environment and duologue with infinite through furniture, stuffs, and ocular entreaty in the interior environment. We ever trace ourselves back to a topographic point in clip through our sense of odor be it elusive or overmastering. As notably marked by Barbara and Perliss that olfactory property const itutes a powerful content of memory, perforating our inner ideas and exciting our emotions. Furthermore they bring back and refresh forgotten or hibernating minutes and experiences from within us. ( Barbara and Perliss 2006 ) Even though aroma by itself is a powerful tool in the remembrance of memory, it best exists when supported by the other senses, working in tandem to make a multisensory experience. How to cite Intimate And Sensate Spaces Film Studies Essay, Essay examples

Eccentricity and Teddy Bear free essay sample

I use the word weirdo to label a person to be odd or not normal. 2. The fundamental distinction lyer is comparing is that eccentric doesnt want anything to do with society. He only cares for himself. The weirdo whole world constantly seeks to get back into society. He wants to be known in society. 3. I think television starts would be the most high ranked weirdo behavior because not all celebrities are eccentric. For the eccentric behavior i think athletes would be he most eccentric because a lot of athletes a good and dont really care about society but care more about their sport. 4. lyers illustration of a man with a teddy bear in his hand and a man with a gun represents the difference between eccentric and weirdo. Eccentric carries a distinguished Latin pedigree that refers to anything that is neutral or positive. This lead back to show how a teddy bear is good. We will write a custom essay sample on Eccentricity and Teddy Bear or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Weirdo has its mongrel origins in the Old English wyrd meaning fate or destiny. So, the man holding a gun in his hand represents darkness. 5. I think lyers illustration are more likely to be more familiar to his readers are eccentrics because teenagers generally want to live on their on rules and expectations. 6. lyers definitions of eccentric and weirdo distinguish the words by explaining that eccentric is more on the non-harmful side. The weirdo however is on the dangerous side. 7. yer illustrates that the British peer threw over his Cambridge fellowship in order he live in a bath and became so ardent a champion of water that he was willing to give anyone silver coins to anyone who would drink his favorite beverage. The weirdo is all together more mysterious that leaves no reflection in societies mirror. 8. lyer uses examples Jerry Lee Lewis, Gary Gilmore and Bernard Goetz. 9. lyer uses the comparison between geniuses and psychopaths to show that both are out of the ordinary. If the successful are often strange, then being strange is a way of becoming successful. 0. Great Britain, is more often associated with the maladjusted weirdo because Britain is presented so strong a center from which to depart. In Japan there are only four psychiatrists in all Tokyo. There are only a few eccentricity is a mark of confidence, weirdness inspires fear and rage. strategies and the organization method of the story. My answers to the questions changed in many ways because now that I know what the author is comparing I can answer the questions correctly. Eccentricity and Teddy Bear free essay sample 1. I use the word weirdo to label a person to be odd or not normal. 2. The fundamental distinction Iyer is comparing is that eccentric doesnt want anything to do with society. He only cares for himself. The weirdo whole world constantly seeks to get back into society. He wants to be known in society. 3. I think television starts would be the most high ranked weirdo behavior because not all celebrities are eccentric. For the eccentric behavior i think athletes would be the most eccentric because a lot of athletes a good and dont really care about society but care more about their sport. 4. Iyers illustration of a man with a teddy bear in his hand and a man with a gun represents the difference between eccentric and weirdo. Eccentric carries a distinguished Latin pedigree that refers to anything that is neutral or positive. This lead back to show how a teddy bear is good. We will write a custom essay sample on Eccentricity and Teddy Bear or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Weirdo has its mongrel origins in the Old English wyrd meaning fate or destiny. So, the man holding a gun in his hand represents darkness. 5. I think Iyers illustration are more likely to be more familiar to his readers are eccentrics because teenagers generally want to live on their on rules and expectations. 6. Iyers definitions of eccentric and weirdo distinguish the words by explaining that eccentric is more on the non-harmful side. The weirdo however is on the dangerous side. 7. Iyer illustrates that the British peer threw over his Cambridge fellowship in order the live in a bath and became so ardent a champion of water that he was willing to give anyone silver coins to anyone who would drink his favorite beverage. The weirdo is all together more mysterious that leaves no reflection in societies mirror. 8. Iyer uses examples Jerry Lee Lewis, Gary Gilmore and Bernard Goetz. 9. Iyer uses the comparison between geniuses and psychopaths to show that both are out of the ordinary. If the successful are often strange, then being strange is a way of becoming successful. 10. Great Britain, is more often associated with the maladjusted weirdo because Britain is presented so strong a center from which to depart. In Japan there are only four psychiatrists in all Tokyo. There are only a few eccentricity is a mark of confidence, weirdness inspires fear and rage. In my answers I realized that this time I feel like I understand a little bit more on the strategies and the organization method of the story. My answers to the questions changed in many ways because now that I know what the author is comparing I can answer the questions correctly.